Though Jackson had previously been popular in R&B music, Control established her crossover appeal in the market. Jam and Lewis used similar influences with hip-hop influenced drums with smoother R&B stylings in the production.
Calls it the 'most pop-oriented rhythm-and-blues music since 1960s Motown', since its 'performers were unabashed entertainers, free of artistic pretensions its songwriters and producers were commercial professionals.' New jack swing did not take up the trend of using sampled beats, and instead created beats using the then-new sampler and the drum machine to lay an 'insistent beat under light melody lines and clearly enunciated vocals.' The Roland TR-808 was sampled to create distinctive, syncopated, rhythms, with its snare sound being especially prominent. 's online dictionary defines new jack swing as 'pop music usually performed by that combines elements of traditional, and '. The sound of new jack swing comes from the hip hop 'swing' beats created by, and hardware, which were popular during the, with style singing. It used R&B style vocals sung over hip hop and dance-pop style influenced instrumentation. The new jack swing style developed as many previous music styles did, by combining elements of older styles with newer sensibilities. It fuses the rhythms, and production techniques of and with the sound of. Its influence, along with, seeped into and was the definitive sound of the inventive black New York club scene.
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